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Fiche 1,  Justifications,  Anglais

Record number: 1, Textual support number: 1 OBS

The Manifesto of the Communist Party... usually referred to as The Communist Manifesto, was first published on April 14, 1848, and is one of the world's most influential political tracts. Commissioned by the Communist League and written by communist theorists Karl Marx and Friedrich Engels, it laid out the League's purposes and program. The Manifesto suggested a course of action for a proletarian(working class) revolution to overthrow the bourgeoisie(ruling upper class) and to eventually bring about a classless society.  2, fiche 1, Anglais, - Manifesto%20of%20the%20Communist%20Party

Fiche 1,  Justifications,  Français

Record number: 1, Textual support number: 1 OBS

Texte de Karl Marx et Friedrich Engels (1848), exposant les thèmes centraux du marxisme et fondant le programme révolutionnaire des communistes.  3, fiche 1, Français, - Manifeste%20du%20parti%20communiste

Fiche 1,  Justifications,  Espagnol

Record number: 1, Textual support number: 1 OBS

Texto de Karl Marx y Friedrich Engels (1948) en que se exponen las bases principales del marxismo y que sirvió de fundamento para el programa revolucionario de los comunistas.  3, fiche 1, Espagnol, - Manifiesto%20del%20Partido%20Comunista

Fiche 2,  Justifications,  Anglais

Record number: 2, Textual support number: 1 CONT

In printed programs for concerts and recitals, notes about the works to be presented, including information about their composers, the circumstances under which the particular compositions were written, and various details about the music itself. Well prepared, accurate program notes can be of considerable value, pointing out what in particular the audience should listen for.  2, fiche 2, Anglais, - program%20note

Fiche 2,  Justifications,  Français

Record number: 2, Textual support number: 1 DEF

Texte d'un programme qui explique les œuvres présentées et présente les interprètes.  1, fiche 2, Français, - notes%2Dprogramme

Record number: 2, Textual support number: 1 CONT

D'après les notes-programme, cette œuvre a un caractère lyrique très marquée.  1, fiche 2, Français, - notes%2Dprogramme

Record number: 2, Textual support number: 1 OBS

Terme entériné par le Comité de linguistique de Radio-Canada et le Secrétariat d'État du Canada.  2, fiche 2, Français, - notes%2Dprogramme

Fiche 2,  Justifications,  Espagnol

Fiche 3,  Justifications,  Anglais

Record number: 3, Textual support number: 1 OBS

a) There is a Vial of Life form that you can print out, then fillout by hand. b) This information is then put inside an empty pill bottle and attached to the top shelf of the refrigerator. We say to use the fridge, because everyone has one and they are usually easy to find. c) Use a rubberband to secure it to the bottom of the top shelf or somewhere else it won’t get shoved around and lost. d) Cut out the emblems at the bottom of the page and place one on the door of the fridge at a minimum. e) The second can be placed in the lower right window pane of your front. Aside from these visual clues. f) Tell the responding EMT/Rescue Squad that you have the vial and make sure they get i

Fiche 3,  Justifications,  Français

Fiche 3,  Justifications,  Espagnol

Fiche 4,  Justifications,  Anglais

Record number: 4, Textual support number: 1 CONT

A conventional animation is created in a fairly fixed sequence : The story for the animation is written(or perhaps merely conceived), then a storyboard is laid out.... Next, the soundtrack(if any) is recorded, a detailed layout is produced(with a drawing for every scene in the animation), and the soundtrack is read-that is, the instants at which significant sounds occur are recorded in order. The detailed layout and the soundtrack are then correlated. Next, certain key frames of the animation are drawn-these are the frames in which the entities being animated are at extreme or characteristic positions, from which their intermediate position can be inferred. The intermediate frames are then filled in(this is called inbetweening), and a trial film is made(a pencil test)... Many stages of conventional animation seem ideally suited to computer assistance, especially inbetweening and coloring, which can be done using the seed-fill techniques.... Before the computer can be used, however, the drawings must be digitized. This can be done by using optical scanning, by tracing the drawings with a data tablet, or by producing the original drawings with a drawing program in the first place. The drawings may need to be postprocessed(e. g., filtered) to clean up any glitches arising from the input process(especially optical scanning), and to smooth the contours somewhat. The composition stage, in which foreground and background figures are combined to generate the individual frames for the final animation, can be done with the image-composition techniques....  4, fiche 4, Anglais, - in%2Dbetween

Fiche 4,  Justifications,  Français

Record number: 4, Textual support number: 1 DEF

En animation par ordinateur, image calculée par le programme d'animation en fonction du déplacement effectif.  3, fiche 4, Français, - image%20interm%C3%A9diaire

Fiche 4,  Justifications,  Espagnol

Fiche 5,  Justifications,  Anglais

Record number: 5, Textual support number: 1 DEF

a facility that pages data into and out of external page storage; to the problem program, the data to be read from or written to direct-access storage devices.  4, fiche 5, Anglais, - virtual%20I%2FO

Fiche 5,  Justifications,  Français

Fiche 5,  Justifications,  Espagnol